Tag Archives: Chris Ulm

Tom Mason & Chris Ulm talk Malibu Comics 1993 for the SciFi Channel.

I know others feel differently, but I think Facebook is a wonderful thing. I get to keep up with relatives and friends that are scattered around the world. I find that service alone is blessing enough, but it also allows me to find articles and other stuff tucked away in the corners of the internet that I might not find on my own.

Case in point, this amazing footage when someone from SciFi Channel (before they changed the spelling of their name) sent a camera crew to the Malibu Comics offices. I don’t remember how we made this happen. I also don’t know why they came or what show contained this footage. But enjoy it anyway.

If anyone can fill in the blanks about the origins of this piece of video journalism, please post them in the comments.

There are a couple of things to note. First everyone will notice that I am completely silent through the whole thing. Trust me, I had things to say, but apparently the producers didn’t believe it was interesting enough. Plus an extra humiliation … they misspell my name.

“TOM MASON IS GOD” came to us from a piece of fan-mail to Tom’s DINOSAURS FOR HIRE comic he created.

Plus, there is a lot of talk about Malibu’s acquisition of the license for STAR TREK: DEEP SPACE NINE.

Starring Chris Ulm and Tom Mason. Two better friends a guy couldn’t ask for. You gotta admit, Tom’s hair is epic!

Guest starring Albert Calleros, Tim Edred, Anne Chien Watkins, and Stacy Herring Saez

Thanks to Bruce McCorkindale for posting this on Facebook … so that I could re-post it here.

That’s my version of the story. HAPPY NEW YEAR!

-Dave

 

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Professional wrestling was the basis of my secret relationship with Archie Goodwin

I have a not-so-secret appreciation and understanding of professional wrestling. It is probably rooted in my childhood when my Dad and I would watch Verne Gagne’s AWA promotion from our farmhouse in southern Minnesota. Like comics, it has a very active fanbase. Just like my relationship with comics, it is also an interest that I carried well into adulthood.

bobby.eaton

A Great Pro Wrestler: BOBBY EATON

You may be asking yourself what this has to do with comics legend and all-around good guy Archie Goodwin. For that you’ll have to read more.

When Tom Mason, Scott Rosenberg, Chris Ulm and I were starting Malibu Comics, I was living in a double-wide trailer that was a little off-the-beaten path. That is a nice way to say it had electricity, but wasn’t wired for cable television. In those days, satellite television wasn’t really available. Eventually I saved up enough money to pay a HUGE premium for the local cable company to “drag a line” to my trailer. Getting non-antenna reception on my television was very exciting. I remember the TV program I looked forward to the most was the TBS broadcast of NWA Wrestling (eventually it would become WCW).

I hadn’t been a “mark” since my early teen years. I had long understood that pro wrestling matches involved all the athletes in the ring working together to put on a show … and tell a story. The goal of the story was to inspire fans to buy tickets to the live shows as the wrestling promotion traveled around the country. With this understanding, it changes how you watch the matches. My favorites were always the guys that were both exciting and good at telling the story.

ArnAnderson

A Great Pro Wrestler: ARN ANDERSON

I liked Ric Flair and the Four Horseman. Great heels that could REALLY sell tickets and tell a great story. I liked Ricky Steamboat and Randy Savage. I like Michael P.S. Hayes of the Freebirds. Three of my favorites are shown here. I attended at least three different Wrestlemania shows. There were years in my 20s and 30s when I couldn’t get enough.

One of the things that tends to “put off” casual audiences from enjoying pro wrestling is how carefully (in years past) wrestling organizations protected what went on behind-the-scenes. They worked very hard to make it seem real. This never bothered me. I am aware that Seinfeld is a show. It no more bothers me that wrestling isn’t “real” than it bothers me that Nathan Fillian isn’t a famous crime-writer named Castle or a spaceship captain named Mal Reynolds.

However, there were “secret” newsletters (before the advent of the internet) that you could get in the mail that would write stories about all the behind-the-scenes drama of the real wrestlers and the organizations they worked for. I was a subscriber for years to two very good newsletters, Wrestling Observer and Pro Wrestling Torch.

A Great Pro Wrestler: Michael P.S. Hayes

A Great Pro Wrestler: MICHAEL P.S. HAYES

So when I met Archie Goodwin (probably during the days when Marvel was buying Malibu), I some how let it slip that I was a wrestling fan. I was shocked to learn that Archie Goodwin was also a fan. We talked at length about what we loved about wrestling while everyone around us was talking about comics. During one of these early talks with Archie, I reached into my briefcase and gave him one of my wrestling newsletters. He loved it.

From that day forward, I would save up a recent newsletter or two as soon as I found out Archie and I would be at the same convention. I remember a particular Chicago Convention when Archie was very busy with some fans at a convention table. He saw me walking by and flagged me down. I stopped, reached into my briefcase, retrieved a couple newsletter and slyly handed them to him (so that fans couldn’t see). His eyes lit up like Christmas morning. He thanked me, gave me a wink and went backed to helping the fans. Later in the show, we found each other again and he gave me the keepsake you see below. It is a special treasure and now I’m sharing it here for the first time.

archie_wrestling_scanfbf

Make special note that “Pro Wrestler Archie Goodwin” wears tights featuring Batman logos. I miss you Archie!

I am not much of a wrestling fan anymore. Not enough time. But the good memories remain.

That’s my version of the story.

— Dave Olbrich (July 17, 2015)

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All the news that’s fit to print!

As most people reading this blog already know, I was (once upon a time) the publisher of Malibu Comics. The company did okay for a while and then for a while, it did much better. Getting press coverage for our titles was always a strong point of Malibu Comics. This is NOT a story about that. Below you’ll find a newspaper clipping from 1989 (at least that is my best guess).

Malibu news story 89 fixed

The photograph below was used to illustrate the story.

Malibu news photo 1989 fixed

Look, I’m not going to discuss the apparent mullet. Ain’t gonna happen.

Malibu sold its comics through the world-wide direct market. The first fan letter we ever received was mailed from Germany. We did not solicit this story. The newspaper reporter called Malibu through some personal contacts we made in the community. Just to be clear, this story was NOT the result of Malibu’s savvy marketing efforts.

Let’s talk about this literal snapshot from the history of Malibu, especially for those of you that only remember Malibu as the company that either helped launch Image Comics or the company that published the Ultraverse & Bravura comics.

1. Assuming I’ve got the date right (1989), this story was written just before the company’s second anniversary of releasing comics. Malibu’s first titles were released in June 1987. In 24 months, we had geared up our production from 3 titles per month to 30 titles per month. With sales relatively low per title, we needed that kind of volume to keep the lights on, the doors open and make payroll each month. YEEK!

2. If I ever get around to writing The Secret Origin of Malibu Comics Part 5, you will learn about the days when we ran Malibu from my “back porch.” It is absolutely true. The office we were using at THIS time was only about 1,000 square feet and very cluttered AND it had no heat. Most of the year in California this wasn’t much of problem, but there were definitely times when the temperature would dip into the high 30s and low 40s. That is awfully cold to sit around and do office work all day. We got by with space heaters and weight-lifting gloves.

3. WAIT A SECOND. Did I just type “weight lifting gloves.” Yes. We were doing most of our work on early Macintosh computers. We wore the weight-lifting gloves because they could provide a small amount of warmth for our chilly hands, but they did not cover our fingertips. We needed free fingertips to allow for all the typing we did all day. I’m not the least bit ashamed to admit, I still own a pair of weight-lifting gloves that I wore during those early, chilly days.

4. We did a lot of newspaper strip reprints in those days, focusing on properties that people our age might recognize. Why they mentioned Charlie Chan instead of Sherlock Holmes, I will never know.

5. I’m proud that we published Dinosaurs for Hire, proud to this very day. It was fun in a way that almost no comic is fun these days. If you look around, you can find copies of this lost gem in a dollar box somewhere. Make the investment. I do not believe you will be disappointed.

6. I’m less proud of Scimidar. To say that the book was PG-13 is being generous. It was a title about a sexy girl assassin in a grim future (written by longtime DEAR friend R.A. Jones). It was a book ABOUT sex and violence. It was often gratuitous. I’m not “less proud” of Scimidar because of what it attempted to be. It sold quite well in comparison to a lot of our other titles, but it simply didn’t achieve its goals very well. What is was trying to say ABOUT sex and violence sometimes got lost in the content.MalibuLogo001big

7. This newspaper story was published at a time when there weren’t any Malibu titles, at least no comics carried Malibu as its imprint. The company was called Malibu Graphics Publishing but the imprints that we promoted and put on the covers of the books were either Eternity, Adventure or Aircel. These were imprints that readers and retailers were already familiar with and that helped sales. Our job in those days was to achieve the highest sales possible, both for our own benefit but also for the benefit of the creators.

8. Yes. In 1989, 20th Century Fox was working on relaunching Planet of the Apes in some way. Needless to say it never happened. Malibu published the comics anyway and we did very well with it. Exactly why a relaunch of a movie series failed, I don’t know. Perhaps we may never knew.

9. If Malibu was a top five publisher in 1989, we were mostly certainly no higher than #5 … and we probably were not in that position every month. But to make it to #5 in two years of publishing seems like an achievement we should be proud of.

10. Yes. I decided on a career in comics when I was sixteen years old. I wrote about that HERE.

11. The story says that we had nine employees. I cannot for the life of me can figure out how nine of us worked in that little tiny office. I’m not sure where that number comes from.

12. The picture was taken outside our offices as I sat on the asphalt parking lot among a bunch of Malibu titles we spread out on the ground. I’m holding our best-selling title at the time: Robotech: The Sentinels. Surrounding me you can see Three Musketeers, War of the Worlds, and another one of bestsellers, Ben Dunn’s Ninja High School.

AND … just for the record. In Paragraph one, the newspaper misspelled Spider-man. In Paragraph three, the last name of Chris Ulm is spelled wrong. Paragraph six has a whopper of a typo, when the word “said” is spelled wrong.

So now comes my appeal to others reading this blog. Do you have scans or clippings similar to this one hidden way somewhere, a local newspaper who came out to a local small comic publisher to cover their “success.” If so, please send them along … I would love to see them and with your permission I will post them here for the world to see.

That’s my version of the story.

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Filed under Behind the Scenes, Fanatical History, Malibu Comics Origins

The Ultraverse television commercials (enjoy!)

Featuring Larry Bagby Jr., Chris Ulm and the future former Mrs. Scott Rosenberg.

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The Avengers Conquer the World

It is already late as I write this. And it is days after every entertainment news organization has declared Marvel’s The Avengers movie the all-time box office champ.

I honestly wish I had the time at the moment to pontificate at length about my thoughts about The Avengers. Trust me, I will someday. I will someday soon. But for now I simply want to share the following piece of video with the fans of this blog. As we stood in line to enter the theatre for the Marvel Movie Marathon, at approximately 8am on Thursday May 3rd, a man approached us with a microphone and tiny camera.

He asked us some questions and then said the video would be on-line sometime in the next 24 hours or so. Below is the result of his work. Maggie (my daughter) and I appear at about the 20 second mark or so. Also with us former Malibu Editor-in-Chief Chris Ulm and his daughter. And if you watch closely, we appear twice more later on in the video. Enjoy.

If you want a really nice recap of the day, written by a friend (Paul O’Connor) that sat just a few seats away from me.

Check out his blog: Longbox Graveyard.

That’s my version of the story … for now.

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